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Bold girls rona munro essay
violence, through this method. Scene 3: Outside the Club This short scene, three pages of dialogue between Marie and Cassie, with a typically wordless, brief and nasty contribution from Deirdre at the end, poses questions. We should remember that Marie herself, with her protective sentiments about brave Michael the Good Daddy in Heaven, probably doesnt want to hear either. My daddy never lied to me so it must have been me that lied to him.
Making Them Bold And Breaking The Mould: Rona Munro s Bold Girls Bold Girls Gillian Duff s English Resources
And the future of these relations ; and a final examination of the"tion from angry Cassie which opens this essay. C c Newspaper Articl e: Making Them Bold And Breaking The Mould: Rona Munro s Bold Girls. We don t need the playlist of early 90s hits that fills th e interval to tell us that Rona Munro s Bold Girls, first staged at Cumbernauld Theatre.
Dreams, whether on television or from memory, of escape or change are just dreams. Isnt her point, about Marie and Deirdre as opposed to Nora and Cassie, that bringing painful secrets out into the open can be regenerative for some, but catastrophic for others, depending on the essential nature of the people involved? Doesnt this absent presence echo the absent presence of the menfolk of the bold girls? Munro leaves Deirdre outside; and scene one is ordinary enough, on the surface kids, washing, fags, whether to go to the club; the topics are mundane, although perhaps a clue to darker issues is given in the mention of the video, The Accused ; note. The eclipse occurs at the plays lowest point. Indeed, this violence is so routine, it has become easy to underplay. This set against the thunderous knocking at the door which follows the sound of gunshots; although it transpires that this time its not the brutal entry of troops, but the unexpected opposite; Deirdre, dirty, battered, looking like fifteen, though eyes heavily made up; second-nameless, unplaceable. Do all the bold girls have some kind of self-deluding dream? Munro has no illusions that this will happen easily or soon which is the point of the final scenes, in which Marie feeds the birds. What began as strategic deafness and non-listening goes on to become serious evasion of reality and home truths; for example, the scene three eclipse exchanges between Marie and Cassie, where increasingly Cassie finds she cant reveal the truth about Michael to Marie. How does scene 1 end? and of Cassies bitterness, with its crucial and central statement "d at the beginning of this study) from Cassie about how boys and girls are conditioned in Northern Irish and Western?